apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of Artamon Denisov
Portrait of Artamon Denisov by Alexander Orlowski

plate no. 1295

Portrait of Artamon Denisov

Alexander Orlowski, 1806

oilRomanticismportraitportraitfiguremanbeardhatclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and using hatching techniques to create form and texture. It also provides practice in limited color palette painting and creating a sense of depth with value.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, hat, and shoulders.

  2. step 02

    Establish the main light and shadow areas using a mid-tone color.

  3. step 03

    Begin adding darker values to define the hat, clothing, and shadows on the face.

  4. step 04

    Introduce lighter values to highlight the face, beard, and any light catching on the hat.

  5. step 05

    Refine the facial features, paying close attention to the eyes, nose, and mouth.

  6. step 06

    Use hatching and cross-hatching techniques to build up the texture of the beard and clothing.

  7. step 07

    Soften edges where necessary to create a sense of depth and realism.

  8. step 08

    Add final details and highlights to complete the portrait.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · ivory black · yellow ochre

Mix burnt umber and raw sienna for the mid-tones. Add white to lighten and black to darken. Use yellow ochre sparingly for subtle highlights.

techniques

  • ·hatching
  • ·cross-hatching
  • ·dry brushing
  • ·value shading
  • ·limited palette

common pitfalls

  • →overworking details too early
  • →inaccurate proportions
  • →muddying colors by over-mixing
  • →ignoring the light source

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·#4 round brush
  • ·#6 filbert brush
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

A toned canvas (e.g., with a thin wash of raw sienna) can be helpful. Use a medium to thin the paint for smoother blending.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke