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home·artworks·Portrait of Antonio Rosmini
Portrait of Antonio Rosmini by Francesco Hayez

plate no. 3194

Portrait of Antonio Rosmini

Francesco Hayez, 1856

oil, canvasRomanticismportraitportraitfiguremanclothingchairbackground
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and capturing likeness, as well as practice blending techniques to create smooth transitions in skin tones and fabric.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the figure's pose and proportions.

  2. step 02

    Block in the background with a thin layer of burnt umber and raw sienna.

  3. step 03

    Establish the basic skin tones using a mix of white, yellow ochre, and a touch of red.

  4. step 04

    Begin layering the clothing with dark browns and blacks, paying attention to the folds and shadows.

  5. step 05

    Refine the facial features, focusing on accurate placement and subtle value changes.

  6. step 06

    Add highlights to the face, clothing, and chair to create depth and dimension.

  7. step 07

    Blend the edges of the forms to create a soft, realistic effect.

  8. step 08

    Add final details, such as the glasses and subtle textures in the clothing.

color palette

primary · ivory black · burnt umber · yellow ochre · titanium white

secondary · raw sienna · cadmium red light · viridian

Achieve skin tones by mixing white, yellow ochre, and a touch of red; use burnt umber and black with small amounts of other colors for the dark clothing and background; add white to colors to create highlights.

techniques

  • ·portraiture
  • ·blending
  • ·value studies
  • ·layering
  • ·chiaroscuro

common pitfalls

  • →Inaccurate proportions in the initial sketch.
  • →Over-blending, resulting in a flat, lifeless appearance.
  • →Neglecting subtle value changes in the face.
  • →Using too much black, making the painting look muddy.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·ivory black oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium (e.g., Liquin)
  • ·easel

Use a medium-tooth canvas for best results. Consider using a glazing medium to enhance the depth of colors.

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