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home·artworks·Portrait of Antonietta Tarsis Basilico
Portrait of Antonietta Tarsis Basilico by Francesco Hayez

plate no. 1000

Portrait of Antonietta Tarsis Basilico

Francesco Hayez, 1851

oil, canvasRomanticismportraitportraitfiguredresslacebackgroundjewelry
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and rendering of skin tones, as well as practice in depicting fabric and lace textures. Students will also learn about creating depth and atmosphere through subtle value changes.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure.

  2. step 02

    Establish the background with a gradient of browns and earth tones.

  3. step 03

    Block in the main shapes of the dress and figure with dark and light values.

  4. step 04

    Refine the skin tones using layers of thin paint, paying attention to highlights and shadows.

  5. step 05

    Add details to the dress, including the folds and highlights of the fabric.

  6. step 06

    Carefully render the lace details, using a fine brush and light colors.

  7. step 07

    Add jewelry and other small details.

  8. step 08

    Apply a thin glaze to unify the colors and create a sense of depth.

color palette

primary · ivory black · raw umber · titanium white · ultramarine blue

secondary · burnt sienna · yellow ochre

Achieve skin tones by mixing white, yellow ochre, and a touch of red or burnt sienna. Create the dress color by mixing ultramarine blue and ivory black, then adding white for highlights. The background is a blend of raw umber, burnt sienna, and white.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro
  • ·rendering

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the details, especially the lace.
  • →Making the skin tones look flat or unnatural.
  • →Failing to create a sense of depth in the background.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·burnt sienna oil paint
  • ·yellow ochre oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·retouch varnish

Use high-quality oil paints for best results. A medium-sized canvas (16x20 or 18x24) is recommended.

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