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home·artworks·Portrait of an Artist
Portrait of an Artist by Palma il Giovane

plate no. 9252

Portrait of an Artist

Palma il Giovane, 1620

oilMannerism (Late Renaissance)portraitportraitfiguresculpturebustartistpaper
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and capturing likeness, as well as understanding chiaroscuro to create depth and form.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the main shapes and proportions of the figure and sculptures.

  2. step 02

    Establish the dark background using a thin wash of dark brown or black.

  3. step 03

    Block in the main areas of color for the skin tones, clothing, and sculptures, focusing on the overall value structure.

  4. step 04

    Begin to refine the facial features, paying close attention to the subtle shifts in value and color.

  5. step 05

    Develop the details of the clothing, including the collar, cuffs, and buttons.

  6. step 06

    Model the sculptures, using highlights and shadows to create a sense of three-dimensionality.

  7. step 07

    Add the paper and refine the hands.

  8. step 08

    Add final details and highlights to enhance the overall realism and depth of the painting.

color palette

primary · burnt umber · raw sienna · titanium white · alizarin crimson

secondary · ivory black · yellow ochre

Skin tones are achieved by mixing burnt umber, raw sienna, and titanium white, with small amounts of alizarin crimson for warmth. The clothing is created using variations of alizarin crimson and burnt umber, lightened with white. The sculptures are primarily white with subtle shadows created with burnt umber and ivory black.

techniques

  • ·chiaroscuro
  • ·blending
  • ·glazing
  • ·portraiture
  • ·figure drawing

common pitfalls

  • →Incorrect proportions of the figure or sculptures.
  • →Over-blending, resulting in a lack of texture and depth.
  • →Failing to capture the subtle shifts in value and color in the skin tones.
  • →Ignoring the importance of highlights and shadows in creating form.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·alizarin crimson oil paint
  • ·ivory black oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. A medium-sized canvas (16x20 or 18x24) is recommended.

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oil painting for beginners →how to learn by studying the masters →
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