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home·artworks·Portrait of Amalia Tonello Cappelletti
Portrait of Amalia Tonello Cappelletti by Giuseppe Tominz

plate no. 1416

Portrait of Amalia Tonello Cappelletti

Giuseppe Tominz, 1840

oil, canvasRomanticismportraitportraitwomandressjewelrycushionfabric
some experience helpful

Recreating this portrait will help students develop skills in portraiture, including accurate proportions and capturing likeness, as well as understanding light and shadow to create form, particularly on the face and clothing.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and proportions of the figure.

  2. step 02

    Block in the main shapes and areas of color, focusing on the background, cushion, and dress.

  3. step 03

    Start building up the values in the face, paying close attention to the highlights and shadows to create form.

  4. step 04

    Work on the details of the dress, including the folds and highlights, using a combination of blending and layering.

  5. step 05

    Add the jewelry and other accessories, paying attention to their texture and shine.

  6. step 06

    Refine the background and add any final details.

  7. step 07

    Check the overall composition and make any necessary adjustments.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and realism.

color palette

primary · ivory black · titanium white · alizarin crimson

secondary · yellow ochre · raw umber · sap green

Mix ivory black and titanium white to create various shades of gray for the dress and background. Use alizarin crimson and white to achieve the pink hue of the cushion. Add touches of yellow ochre and raw umber to warm the skin tones.

techniques

  • ·portrait drawing
  • ·value studies
  • ·blending
  • ·layering
  • ·glazing

common pitfalls

  • →Inaccurate proportions in the initial sketch.
  • →Over-blending, resulting in a lack of texture.
  • →Getting the skin tones wrong.
  • →Ignoring the subtle variations in value.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·alizarin crimson oil paint
  • ·yellow ochre oil paint
  • ·raw umber oil paint
  • ·round brushes (sizes 0, 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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