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home·artworks·Portrait of Amalia Ritter de Zahony
Portrait of Amalia Ritter de Zahony by Giuseppe Tominz

plate no. 1709

Portrait of Amalia Ritter de Zahony

Giuseppe Tominz, 1829

oil, canvasRomanticismportraitportraitfiguredressjewelryshawlhair
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions, subtle skin tone variations, and rendering of fabric textures. It also provides practice in depicting jewelry and fine details.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and overall pose.

  2. step 02

    Establish the background with a thin wash of neutral color.

  3. step 03

    Block in the main areas of color: skin tones, dress, shawl, and hair.

  4. step 04

    Begin refining the skin tones, paying attention to subtle variations in light and shadow.

  5. step 05

    Develop the details of the dress, including the folds and textures of the fabric.

  6. step 06

    Paint the shawl, focusing on the pattern and how it drapes over the figure.

  7. step 07

    Add the jewelry, carefully rendering the highlights and shadows to create a sense of realism.

  8. step 08

    Refine the hair, paying attention to the curls and highlights.

color palette

primary · titanium white · ivory black · cadmium red · yellow ochre

secondary · ultramarine blue · burnt umber

Skin tones are achieved by mixing white, red, yellow ochre, and a touch of blue or umber. The black dress is a mix of black and umber, with highlights added using white. The shawl is a mix of red, umber, and a touch of blue.

techniques

  • ·portraiture
  • ·blending
  • ·glazing
  • ·rendering
  • ·fabric depiction

common pitfalls

  • →Inaccurate proportions in the initial sketch.
  • →Overly harsh or flat skin tones.
  • →Lack of detail in the fabric and jewelry.
  • →Ignoring subtle variations in color and value.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints (titanium white, ivory black, cadmium red, yellow ochre, ultramarine blue, burnt umber)
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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oil painting for beginners →how to learn by studying the masters →
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