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home·artworks·Portrait of Alma
Portrait of Alma by Carl Larsson

plate no. 8657

Portrait of Alma

Carl Larsson, 1887

pastel, paperImpressionismportraitportraitfigurewomanclothinghatface
some experience helpful

This painting provides a good opportunity to practice blending pastel colors to create soft transitions and capturing the likeness of a portrait subject. Students can also learn about creating depth and form using subtle value changes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and hat.

  2. step 02

    Establish the background color with a light layer of blue pastel, blending it smoothly.

  3. step 03

    Block in the main areas of color for the face, hair, and clothing, using corresponding pastel colors.

  4. step 04

    Begin building up layers of color on the face, focusing on the highlights and shadows to create form.

  5. step 05

    Add details to the hair, using short, broken strokes to suggest texture and volume.

  6. step 06

    Develop the clothing, paying attention to the folds and creases, and using darker values to create depth.

  7. step 07

    Refine the details of the face, including the eyes, nose, and mouth, to capture the likeness of the subject.

  8. step 08

    Add final touches and highlights to the painting, and blend the colors to create a soft, impressionistic effect.

color palette

primary · ultramarine blue · flesh tones · burnt sienna

secondary · black · white · yellow ochre

Mix flesh tones by blending white, burnt sienna, and a touch of yellow ochre. Use ultramarine blue and black to create the darker shades of blue for the clothing and hat.

techniques

  • ·pastel blending
  • ·layering
  • ·hatching
  • ·scumbling
  • ·portraiture

common pitfalls

  • →Overblending, which can result in a muddy or lifeless appearance.
  • →Neglecting the underlying sketch, which can lead to inaccuracies in proportion and form.
  • →Using too much pressure when applying the pastel, which can make it difficult to blend.
  • →Ignoring the subtle value changes, which can flatten the image.

materials

surface · pastel paper

required

  • ·assorted soft pastels
  • ·pastel paper
  • ·kneaded eraser
  • ·fixative spray
  • ·drawing board
  • ·paper towels
  • ·blending stumps

optional

  • ·palette knife
  • ·workable fixative
  • ·pastel pencils

Use a sanded pastel paper for better adhesion of the pastels. Work in a well-ventilated area when using fixative spray.

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related guides

color theory for painters →how to learn by studying the masters →
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