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home·artworks·Portrait of Alexandre Benois
Portrait of Alexandre Benois by Leon Bakst

plate no. 7399

Portrait of Alexandre Benois

Leon Bakst, 1898

oilArt Nouveau (Modern)portraitportraitfigurechairinteriorreadingpainting
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as understanding how to create depth and atmosphere using a limited color palette.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, chair, and background elements.

  2. step 02

    Establish the overall value structure by blocking in the main areas of light and shadow with thin washes.

  3. step 03

    Begin refining the facial features, paying close attention to the shapes of the eyes, nose, and mouth.

  4. step 04

    Develop the details of the clothing and chair, focusing on the folds and textures.

  5. step 05

    Add the painting in the background, keeping it soft and muted.

  6. step 06

    Refine the highlights and shadows to create a sense of depth and dimension.

  7. step 07

    Add final details, such as the texture of the paper and the subtle variations in skin tone.

  8. step 08

    Glaze with thin layers to unify the painting and adjust the colors as needed.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · yellow ochre · cadmium red light

Mix burnt umber and ivory black for the darks, and add titanium white and a touch of yellow ochre for the highlights. Use raw sienna and white for the warmer tones in the skin and chair.

techniques

  • ·portraiture
  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the details too early in the process.
  • →Creating harsh lines and edges.
  • →Failing to capture the likeness of the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-grain canvas for best results. Consider using a toned canvas to speed up the underpainting process.

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