apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of Alexander Pushkin
Portrait of Alexander Pushkin by Orest Kiprensky

plate no. 1174

Portrait of Alexander Pushkin

Orest Kiprensky, 1827

oil, canvasRomanticismportraitportraitfigureclothingstatuehairbackground
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones. It also provides practice in depicting textures and subtle color variations in clothing and background elements.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the overall composition, paying attention to proportions and placement of the figure and statue.

  2. step 02

    Block in the main areas of color, starting with the background and then the figure's clothing and skin tones.

  3. step 03

    Begin refining the facial features, focusing on accurate placement and proportions of the eyes, nose, and mouth.

  4. step 04

    Develop the hair, using short, broken brushstrokes to create texture and volume.

  5. step 05

    Add details to the clothing, including the folds and shadows in the fabric.

  6. step 06

    Paint the statue, paying attention to its form and the way light falls on it.

  7. step 07

    Refine the overall painting, adjusting values and colors as needed to create a cohesive and realistic image.

  8. step 08

    Add final details, such as highlights in the eyes and subtle variations in skin tone.

color palette

primary · yellow ochre · burnt umber · ivory black · titanium white

secondary · cadmium red · viridian green

Mix skin tones using yellow ochre, burnt umber, and titanium white, with small amounts of cadmium red for warmth. Achieve dark tones by mixing ivory black and burnt umber.

techniques

  • ·portraiture
  • ·blending
  • ·layering
  • ·scumbling
  • ·glazing

common pitfalls

  • →Inaccurate proportions in the initial sketch.
  • →Overblending skin tones, resulting in a flat, lifeless appearance.
  • →Neglecting subtle color variations in the clothing and background.
  • →Failing to capture the likeness of the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (yellow ochre, burnt umber, ivory black, titanium white, cadmium red, viridian green)
  • ·palette
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags or paper towels

optional

  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Allow each layer of paint to dry before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke