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home·artworks·Portrait of Alexander Michelis
Portrait of Alexander Michelis by Arnold Böcklin

plate no. 5771

Portrait of Alexander Michelis

Arnold Böcklin, 1846

oil, canvasRomanticismportraitportraitfiguremanclothinghair
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing subtle tonal variations and creating a sense of depth with a limited color palette. It also provides practice in achieving smooth transitions and soft edges.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Prepare a toned canvas with a neutral brown or gray.

  2. step 02

    Sketch the basic shapes and proportions of the head, shoulders, and clothing lightly with charcoal or a thin wash of paint.

  3. step 03

    Block in the main areas of light and shadow using a limited palette of earth tones.

  4. step 04

    Begin refining the facial features, paying close attention to the subtle shifts in value and color.

  5. step 05

    Develop the hair, using darker tones to create depth and lighter tones to suggest highlights.

  6. step 06

    Work on the clothing, simplifying the details and focusing on the overall form.

  7. step 07

    Blend the edges of the forms to create a soft, atmospheric effect.

  8. step 08

    Add final highlights and details to bring the portrait to life.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · yellow ochre · cadmium red (small amount)

Mix various shades of brown and gray by combining burnt umber, raw sienna, ivory black, and titanium white. Add a touch of yellow ochre or cadmium red to warm up the skin tones.

techniques

  • ·tonal painting
  • ·blending
  • ·glazing
  • ·scumbling
  • ·portrait drawing

common pitfalls

  • →Overworking the details too early in the process.
  • →Creating harsh lines or edges.
  • →Failing to capture the subtle tonal variations in the skin.
  • →Getting the proportions wrong.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (burnt umber, raw sienna, ivory black, titanium white, yellow ochre, cadmium red)
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags or paper towels

optional

  • ·medium gloss
  • ·retouch varnish

A toned canvas will help to create a more unified and harmonious painting. Use a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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