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home·artworks·Portrait of Alexander J. Cassat and His Son Robert Kelso Cassatt
Portrait of Alexander J. Cassat and His Son Robert Kelso Cassatt by Mary Cassatt

plate no. 9571

Portrait of Alexander J. Cassat and His Son Robert Kelso Cassatt

Mary Cassatt, 1885

oil, canvasImpressionismportraitfiguresportraitfathersoninteriorchair
some experience helpful

Recreating this painting will help students practice capturing likeness and relationships between figures, as well as using loose brushwork to suggest details rather than define them precisely. Students will also learn to simplify a scene and focus on the essential elements.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figures and chair.

  2. step 02

    Block in the main areas of color, focusing on the overall value structure.

  3. step 03

    Develop the skin tones, paying attention to subtle variations in color and value.

  4. step 04

    Add details to the clothing, using loose brushstrokes to suggest texture.

  5. step 05

    Refine the facial features, focusing on capturing the likeness of the subjects.

  6. step 06

    Paint the background, using soft, blended brushstrokes.

  7. step 07

    Add final details and highlights to complete the painting.

  8. step 08

    Allow to dry and add a varnish to protect the painting.

color palette

primary · ivory black · raw umber · burnt sienna · titanium white

secondary · cadmium red light · yellow ochre · ultramarine blue

Mix skin tones using white, red, yellow ochre, and a touch of blue. Achieve darks with black, umber, and a touch of blue. Use white to lighten colors and create highlights.

techniques

  • ·alla prima
  • ·broken color
  • ·scumbling
  • ·color mixing
  • ·portraiture

common pitfalls

  • →Overworking the details and losing the freshness of the brushwork.
  • →Failing to capture the likeness of the subjects.
  • →Creating muddy colors by overmixing.
  • →Not paying attention to the overall value structure.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·round brushes sizes 2, 4, 6

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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