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home·artworks·Portrait of Alessandro de' Medici
Portrait of Alessandro de' Medici by Giorgio Vasari

plate no. 5986

Portrait of Alessandro de' Medici

Giorgio Vasari, 1534

oilMannerism (Late Renaissance)portraitportraitarmorfigurelandscapecityscapearchitecture
experienced study

Recreating this painting will help students develop skills in rendering metallic surfaces and understanding complex lighting and form. It also provides practice in depicting realistic textures and drapery.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to proportions and the placement of the figure and background elements.

  2. step 02

    Establish the main light source and block in the large areas of color, focusing on value relationships.

  3. step 03

    Begin rendering the armor, using layers of paint to build up the metallic sheen and reflections.

  4. step 04

    Work on the figure's face and hands, paying close attention to anatomical accuracy and subtle details.

  5. step 05

    Develop the background landscape and cityscape, using atmospheric perspective to create depth.

  6. step 06

    Refine the details of the drapery and other textures, such as the stone and foliage.

  7. step 07

    Add highlights and shadows to enhance the three-dimensionality of the forms.

  8. step 08

    Make final adjustments to the overall composition and color harmony.

color palette

primary · ivory black · titanium white · burnt umber · cadmium red

secondary · yellow ochre · cerulean blue · raw sienna

Achieve the metallic sheen by mixing black and white with small amounts of blue or brown. Create flesh tones by mixing red, yellow, white, and a touch of brown or green.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·underpainting
  • ·layering

common pitfalls

  • →Failing to establish a strong value structure early on.
  • →Overworking the details before establishing the overall form.
  • →Inaccurately rendering the reflections on the armor.
  • →Ignoring the subtle color variations in the shadows.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. A smooth canvas surface will allow for easier blending and glazing.

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