
plate no. 6851
Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle skin tone blending, as well as rendering realistic fabrics and details like hair and jewelry.
technical profile
approach — 8 steps
Sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and arrow.
Block in the main areas of color: skin tones, hair, clothing, and background.
Begin layering and blending the skin tones, paying close attention to highlights and shadows.
Develop the hair, using small brushstrokes to create the texture of the curls.
Refine the details of the clothing, including the folds and textures of the fabrics.
Paint the arrow, carefully rendering the details of the feathers and shaft.
Add the jewelry and other small details.
Adjust the values and colors as needed to create a cohesive and realistic image.
color palette
primary · ivory black · yellow ochre · cadmium red · raw umber
secondary · viridian · gold · titanium white
Skin tones are achieved through subtle mixes of yellow ochre, cadmium red, raw umber, and titanium white. Dark areas are created by mixing ivory black with raw umber.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. Allow each layer to dry before applying the next.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

The Adoration of the Kings
Giorgione

The Annunciation
Vittore Carpaccio

Madonna and Child with Saints Liberale and Francis (The Castelfranco Madonna)
Giorgione

St. Helena
Cima da Conegliano

St. Nicholas of Tolentino
Pietro Perugino

Portrait of Elizabeth Gonzaga
Raphael

Sibyl
Dosso Dossi

Madonna with Child and Saints
Raphael