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home·artworks·Portrait of a young woman. The artist's sister Anna Hammershøi
Portrait of a young woman. The artist's sister Anna Hammershøi by Vilhelm Hammershøi

plate no. 3744

Portrait of a young woman. The artist's sister Anna Hammershøi

Vilhelm Hammershøi, 1885

oilImpressionismportraitportraitfigurewomandressinteriorwall
some experience helpful

Recreating this painting will help students develop skills in subtle color mixing, value control, and capturing a likeness with soft, diffused light. It also provides practice in rendering fabric and creating a sense of atmosphere.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and the placement of the figure.

  2. step 02

    Establish the background with broad, muted tones, creating a sense of depth.

  3. step 03

    Block in the dark areas of the dress, paying attention to the folds and drapery.

  4. step 04

    Begin to refine the skin tones, using subtle variations in color and value.

  5. step 05

    Add details to the face, focusing on capturing the likeness and expression.

  6. step 06

    Refine the details of the dress, adding highlights and shadows to create form.

  7. step 07

    Adjust the overall values and colors to create a harmonious composition.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · ivory black · titanium white · raw umber

secondary · yellow ochre · burnt sienna

Achieve the subtle grays and browns by mixing black, white, and umber in varying proportions. Use small amounts of yellow ochre and burnt sienna to warm up the skin tones and add depth to the shadows.

techniques

  • ·grisaille underpainting
  • ·scumbling
  • ·soft blending
  • ·limited palette
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details
  • →Using too much color
  • →Creating harsh lines
  • →Ignoring the subtle value changes

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·round brushes (various sizes)
  • ·palette knife
  • ·linseed oil

optional

  • ·burnt sienna oil paint
  • ·odorless mineral spirits
  • ·medium gloss
  • ·palette

Use a smooth canvas for best results. Consider using a toned canvas to help establish the overall value range.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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