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home·artworks·Portrait of a young woman, possibly Countess Gozzadini
Portrait of a young woman, possibly Countess Gozzadini by Parmigianino

plate no. 3816

Portrait of a young woman, possibly Countess Gozzadini

Parmigianino, 1530

oil, panelMannerism (Late Renaissance)portraitportraitwomanheaddressclothingfiguredrapery
some experience helpful

Recreating this portrait will help students develop skills in portraiture, including capturing likeness, rendering skin tones, and depicting complex fabrics and textures. It also provides practice in achieving subtle gradations of light and shadow.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and headdress.

  2. step 02

    Establish the background with a dark, neutral tone.

  3. step 03

    Block in the main areas of color for the skin, clothing, and headdress, using thin washes of paint.

  4. step 04

    Begin layering and blending colors to create smooth transitions in the skin tones, paying attention to highlights and shadows.

  5. step 05

    Develop the details of the clothing and headdress, adding texture and patterns with small brushstrokes.

  6. step 06

    Refine the facial features, focusing on capturing the likeness and expression of the subject.

  7. step 07

    Add final highlights and details to the hair, jewelry, and clothing.

  8. step 08

    Glaze with thin layers to unify the colors and add depth.

color palette

primary · titanium white · raw umber · cadmium red light · yellow ochre

secondary · viridian · ivory black · gold

Achieve skin tones by mixing white, red, yellow ochre, and a touch of umber. Create the pinks for the clothing by mixing red and white. Use glazes of yellow ochre and umber to create the gold tones of the headdress.

techniques

  • ·portraiture
  • ·blending
  • ·glazing
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overblending the skin tones, resulting in a flat, lifeless appearance.
  • →Failing to capture the subtle nuances of light and shadow.
  • →Losing the details in the dark areas of the painting.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (titanium white, raw umber, cadmium red light, yellow ochre, viridian, ivory black)
  • ·assorted brushes (round and flat)
  • ·palette
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife

optional

  • ·retouch varnish
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to create a warmer base.

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