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home·artworks·Portrait of a Young Woman (Laura)
Portrait of a Young Woman (Laura) by Giorgione

plate no. 5193

Portrait of a Young Woman (Laura)

Giorgione, 1506

oil, canvasHigh Renaissanceportraitportraitfigureleavesclothinghairbackground
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones, as well as understanding how to create depth and form through subtle value changes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the proportions of the figure and placement of the leaves.

  2. step 02

    Establish the background with a dark, even tone.

  3. step 03

    Block in the main shapes of the figure, including the face, hair, clothing, and fur.

  4. step 04

    Begin layering skin tones, paying close attention to the subtle shifts in value and color.

  5. step 05

    Develop the details of the clothing, including the folds and textures of the fabric and fur.

  6. step 06

    Add the leaves, focusing on their shapes, values, and placement.

  7. step 07

    Refine the details of the face, including the eyes, nose, and mouth.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · ivory black · raw umber · burnt sienna · titanium white

secondary · cadmium red light · yellow ochre · sap green

Achieve skin tones by mixing white, raw umber, and burnt sienna, with small amounts of red and yellow ochre for warmth. Darken colors with ivory black and raw umber. Mix sap green and yellow ochre for the leaves.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro
  • ·layering

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the skin tones and creating a muddy effect.
  • →Failing to create enough contrast between the figure and the background.
  • →Making the leaves look flat and lifeless.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium (e.g., Liquin)
  • ·varnish

Use high-quality oil paints for best results. A medium can be added to the paint to improve its flow and transparency.

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