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home·artworks·Portrait of a Young Woman in Profile
Portrait of a Young Woman in Profile by Tsuguharu Foujita

plate no. 5051

Portrait of a Young Woman in Profile

Tsuguharu Foujita

oilMagic Realismportraitportraitwomanfigureprofilehairclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in rendering subtle skin tones and drapery. It also provides practice in creating a sense of depth using limited value contrast.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, paying close attention to the profile.

  2. step 02

    Establish the background with a thin, even wash of a neutral color.

  3. step 03

    Begin layering skin tones, starting with the lightest areas and gradually adding shadows.

  4. step 04

    Define the features of the face, focusing on the eyes, nose, and mouth.

  5. step 05

    Render the hair with loose, flowing strokes, capturing the highlights and shadows.

  6. step 06

    Paint the clothing, paying attention to the folds and drapery.

  7. step 07

    Add details to the hands, carefully observing the shapes and proportions.

  8. step 08

    Refine the overall composition, adjusting values and adding final touches.

color palette

primary · raw umber · titanium white · yellow ochre

secondary · payne's gray · ultramarine blue · burnt sienna

Skin tones are achieved by mixing white, yellow ochre, and a touch of raw umber. Use Payne's gray and ultramarine blue sparingly to create shadows in the drapery and hair.

techniques

  • ·glazing
  • ·dry brushing
  • ·scumbling
  • ·blending
  • ·hatching

common pitfalls

  • →Overworking the skin tones, resulting in a muddy appearance.
  • →Failing to capture the subtle nuances of the profile.
  • →Ignoring the importance of accurate proportions.
  • →Creating harsh lines instead of soft transitions.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·payne's gray oil paint
  • ·round brushes (various sizes)
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. A smooth canvas surface will facilitate blending.

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related guides

oil painting for beginners →how to learn by studying the masters →
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