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home·artworks·Portrait of a young woman in a blue dress, sitting in front of a tree
Portrait of a young woman in a blue dress, sitting in front of a tree by Theodor Leopold Weller

plate no. 5216

Portrait of a young woman in a blue dress, sitting in front of a tree

Theodor Leopold Weller, 1846

oil, canvasRomanticismportraitfigureportraitdresstreelandscapefoliage
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and rendering of fabric textures, as well as landscape painting techniques for creating depth and atmosphere.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure and the tree.

  2. step 02

    Block in the main shapes and colors of the background, using thin washes.

  3. step 03

    Establish the light and shadow patterns on the figure's face and dress.

  4. step 04

    Begin layering colors to build up the form and volume of the figure.

  5. step 05

    Refine the details of the face, paying attention to the eyes, nose, and mouth.

  6. step 06

    Add details to the dress, such as folds, wrinkles, and highlights.

  7. step 07

    Develop the background foliage, using a variety of greens and browns.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · Prussian blue · Titanium white · Burnt umber

secondary · Cadmium red light · Yellow ochre · Sap green

Mix Prussian blue and Titanium white to create the various shades of blue in the dress. Use Burnt umber and Yellow ochre for the tree bark. Mix Cadmium red light and Titanium white for the pink bow.

techniques

  • ·Portraiture
  • ·Blending
  • ·Layering
  • ·Glazing
  • ·Scumbling

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the details of the face.
  • →Creating a flat, lifeless background.
  • →Failing to capture the subtle nuances of light and shadow.

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Oil paints (Prussian blue, Titanium white, Burnt umber, Cadmium red light, Yellow ochre, Sap green)
  • ·Palette
  • ·Assorted brushes (round, flat, filbert)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·Medium gloss
  • ·Retouch varnish
  • ·Easel

Use high-quality oil paints for best results. A medium-tooth canvas will provide a good surface for layering.

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