
plate no. 2760
Henri Regnault, 1863
Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as understanding how to depict fabric and its folds.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on proportions and placement of the figure.
Block in the background with a thin layer of burnt umber.
Establish the main values of the face and hands, using a limited palette.
Begin layering colors to build up the skin tones, paying attention to subtle variations.
Paint the dress, focusing on capturing the folds and highlights of the fabric.
Add details to the hair and facial features, refining the likeness.
Paint the chair and other background elements, keeping them soft and out of focus.
Add final highlights and shadows to create depth and dimension.
color palette
primary · titanium white · burnt umber · ivory black · cadmium red light
secondary · ultramarine blue · yellow ochre
Mix skin tones using titanium white, cadmium red light, yellow ochre, and a touch of burnt umber. Use ivory black and burnt umber to create the dark tones of the dress. Mix ultramarine blue with white for the bow.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for layering.
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