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home·artworks·Portrait of a Young Woman as a Wise Virgin
Portrait of a Young Woman as a Wise Virgin by Sebastiano del Piombo

plate no. 5708

Portrait of a Young Woman as a Wise Virgin

Sebastiano del Piombo, 1510

oilHigh Renaissanceportraitfigureportraitwomandressdark backgroundobject
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones. It also provides practice in depicting fabric and creating subtle gradations of light and shadow.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and hands.

  2. step 02

    Establish the background color with a thin layer of dark paint.

  3. step 03

    Block in the main areas of color for the skin, hair, and dress, using simplified values.

  4. step 04

    Begin refining the skin tones, blending highlights and shadows to create a sense of volume.

  5. step 05

    Develop the details of the hair, paying attention to the direction of the strands and the subtle variations in color.

  6. step 06

    Work on the dress, capturing the folds and highlights of the fabric.

  7. step 07

    Add the object in her hand, focusing on its metallic sheen.

  8. step 08

    Refine the overall composition, adjusting values and adding details as needed.

color palette

primary · ivory black · ultramarine blue · burnt umber · titanium white

secondary · yellow ochre · cadmium red light

Mix skin tones using white, yellow ochre, and a touch of red and burnt umber. Achieve the blue of the dress by mixing ultramarine blue with white and a touch of black for shadows. Use burnt umber and yellow ochre for the hair.

techniques

  • ·portrait painting
  • ·glazing
  • ·blending
  • ·chiaroscuro
  • ·fabric rendering

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the skin tones and creating a muddy effect.
  • →Failing to capture the subtle variations in color and value.
  • →Ignoring the importance of accurate observation.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. A smooth canvas surface will aid in blending.

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oil painting for beginners →how to learn by studying the masters →
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