apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of a Young Man with Open Collar
Portrait of a Young Man with Open Collar by Henry Scott Tuke

plate no. 6766

Portrait of a Young Man with Open Collar

Henry Scott Tuke

oilImpressionismportraitportraitfiguremanfoliageshirt
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing for skin tones, and creating depth through subtle value changes. It also provides practice in capturing form with visible brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the head, shoulders, and background.

  2. step 02

    Block in the background with broad strokes of green and brown.

  3. step 03

    Establish the main skin tone using a mix of browns, reds, and white.

  4. step 04

    Define the shadows and highlights on the face to create form.

  5. step 05

    Add details to the hair, using short, broken brushstrokes.

  6. step 06

    Paint the shirt, paying attention to the subtle variations in color and value.

  7. step 07

    Refine the features of the face, such as the eyes, nose, and mouth.

  8. step 08

    Add final touches and highlights to complete the painting.

color palette

primary · burnt umber · titanium white · cadmium red light

secondary · viridian green · yellow ochre

Achieve skin tones by mixing burnt umber, cadmium red light, and titanium white in varying proportions. Use viridian green and yellow ochre to create the background foliage.

techniques

  • ·alla prima
  • ·broken color
  • ·scumbling
  • ·color mixing
  • ·portraiture

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Failing to capture the correct proportions of the face.
  • →Using too much detail in the background, distracting from the subject.
  • →Ignoring the subtle value changes that create form.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·viridian green oil paint
  • ·yellow ochre oil paint
  • ·#4 round brush
  • ·#8 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-grain canvas for best results. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann