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home·artworks·Portrait of a Young Man With a Book
Portrait of a Young Man With a Book by Lorenzo Lotto

plate no. 3273

Portrait of a Young Man With a Book

Lorenzo Lotto, 1527

oil, woodHigh Renaissanceportraitportraitfigurebookclothinghatbackground
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and capturing a likeness, as well as understanding subtle value shifts to create form. Students will also learn to render textures and details in clothing and accessories.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figure.

  2. step 02

    Block in the background with a thin layer of dark green paint, varying the tone slightly.

  3. step 03

    Establish the basic skin tones using a limited palette of earth tones and white.

  4. step 04

    Begin to refine the facial features, paying close attention to the placement and shape of the eyes, nose, and mouth.

  5. step 05

    Paint the clothing, focusing on the striped pattern and the folds of the fabric.

  6. step 06

    Add details to the hat and book, including the gold embellishments.

  7. step 07

    Refine the highlights and shadows to create depth and dimension.

  8. step 08

    Add final details and glazes to unify the painting.

color palette

primary · raw umber · burnt sienna · titanium white

secondary · viridian green · yellow ochre

Mix skin tones by blending burnt sienna, raw umber, and titanium white. Use viridian green and raw umber to create the dark green background. Add yellow ochre to burnt sienna for highlights.

techniques

  • ·portraiture
  • ·glazing
  • ·chiaroscuro
  • ·blending
  • ·rendering

common pitfalls

  • →Inaccurate proportions in the initial sketch.
  • →Overblending the skin tones, resulting in a flat appearance.
  • →Failing to capture the subtle value shifts in the face.
  • →Getting the striped pattern of the clothing wrong.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·viridian green oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Consider using a medium to thin the paint and improve flow.

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