apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of a Young Man in a Green Jacket
Portrait of a Young Man in a Green Jacket by David Allan

plate no. 6697

Portrait of a Young Man in a Green Jacket

David Allan

oilRomanticismportraitportraitfigurejacketclothingmantable
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering clothing folds. It also provides practice in creating a sense of depth through subtle value changes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure and background.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber.

  3. step 03

    Block in the main colors of the jacket, vest, and pants.

  4. step 04

    Refine the facial features, paying close attention to light and shadow.

  5. step 05

    Add details to the clothing, such as buttons and folds.

  6. step 06

    Develop the background with subtle variations in tone.

  7. step 07

    Add highlights and refine the edges of the forms.

  8. step 08

    Apply a final glaze to unify the painting and enhance the colors.

color palette

primary · viridian green · raw umber · titanium white

secondary · ivory black · cadmium yellow light · alizarin crimson

Mix greens by combining viridian green with raw umber and white. Achieve flesh tones by mixing white, cadmium yellow light, and alizarin crimson, adjusting the proportions for highlights and shadows.

techniques

  • ·portraiture
  • ·glazing
  • ·underpainting
  • ·chiaroscuro
  • ·blending

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the details before establishing the overall value structure.
  • →Using colors that are too saturated.
  • →Failing to create a sense of depth.
  • →Not blending the colors smoothly enough.

materials

surface · stretched canvas

required

  • ·Stretched canvas 16x20
  • ·Oil paints: viridian green, raw umber, titanium white, ivory black, cadmium yellow light, alizarin crimson
  • ·#4 round brush
  • ·#6 flat brush
  • ·#2 filbert brush
  • ·Palette
  • ·Odorless mineral spirits
  • ·Linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a high-quality canvas primed with oil-based primer for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke