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home·artworks·Portrait of a Young Man
Portrait of a Young Man by Parmigianino

plate no. 5253

Portrait of a Young Man

Parmigianino, 1525

oil, panelMannerism (Late Renaissance)portraitportraitfiguremanclothinghathair
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions, subtle color mixing for skin tones, and rendering soft light and shadow. It also provides practice in capturing a likeness and conveying a sense of personality.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and hand.

  2. step 02

    Establish the overall value structure with thin washes of color, focusing on the light and shadow patterns.

  3. step 03

    Begin building up the skin tones, layering subtle variations of pink, yellow, and brown.

  4. step 04

    Define the features of the face, paying close attention to the eyes, nose, and mouth.

  5. step 05

    Paint the hair, using a combination of thin washes and thicker strokes to create texture.

  6. step 06

    Render the clothing and hat, using darker values and subtle color variations.

  7. step 07

    Refine the details and edges, softening or sharpening them as needed.

  8. step 08

    Add final highlights and shadows to create a sense of depth and dimension.

color palette

primary · ivory black · raw umber · titanium white · cadmium red light

secondary · yellow ochre · viridian · burnt sienna

Mix skin tones by blending white, red, yellow ochre, and a touch of raw umber. Use viridian and raw umber to create the darker greens in the background and clothing. Black and raw umber are used for the hat and dark areas of the clothing.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro
  • ·portraiture

common pitfalls

  • →Overworking the skin tones and creating a muddy effect.
  • →Failing to accurately capture the proportions of the face.
  • →Ignoring the subtle color variations in the shadows.
  • →Using too much detail in the background and distracting from the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·oil paints
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·soft cloth or paper towels

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

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