
plate no. 1145
Jacopo Pontormo, 1526
This painting offers a good exercise in portraiture, focusing on capturing likeness and rendering fabric folds. Students will develop skills in color mixing to achieve subtle skin tones and drapery.
technical profile
approach — 8 steps
Sketch the basic proportions and pose of the figure on the canvas.
Block in the background with a dark, neutral color.
Establish the main areas of light and shadow on the face and clothing.
Begin layering colors to build up the skin tones, paying attention to subtle variations.
Define the folds and drapery of the clothing, using highlights and shadows to create depth.
Add details to the face, such as the eyes, nose, and mouth.
Refine the edges and contours of the figure.
Add final highlights and details to complete the painting.
color palette
primary · ivory black · raw umber · titanium white · cadmium red light
secondary · yellow ochre · burnt sienna
Mix white with small amounts of red and umber for skin tones. Use black and umber for the dark clothing and background. Mix red with white and a touch of umber for the pink robe.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. Consider using a toned canvas to create a more unified color palette.
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