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home·artworks·Portrait of a Young Girl with Flower
Portrait of a Young Girl with Flower by Sarah Purser

plate no. 2443

Portrait of a Young Girl with Flower

Sarah Purser

oilImpressionismportraitportraitfiguregirlflowerclothinghair
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing for skin tones, and creating form with visible brushstrokes. It also provides practice in capturing a likeness and conveying a sense of light and shadow.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the head, shoulders, and flower.

  2. step 02

    Establish the background with broad strokes of muted greens and browns.

  3. step 03

    Block in the main areas of light and shadow on the face, using a limited palette of skin tones.

  4. step 04

    Refine the facial features, paying attention to the subtle variations in color and value.

  5. step 05

    Paint the clothing with loose, visible brushstrokes, capturing the folds and textures.

  6. step 06

    Add the flower with bold strokes of pink and purple.

  7. step 07

    Adjust the overall composition and refine the details as needed.

  8. step 08

    Add final highlights and shadows to enhance the form and create depth.

color palette

primary · titanium white · burnt umber · yellow ochre

secondary · alizarin crimson · ultramarine blue · sap green

Mix skin tones by blending white, umber, ochre, and a touch of crimson. Use ultramarine blue and burnt umber to create the darker tones in the background and hair. Mix pinks and purples for the flower by combining alizarin crimson and ultramarine blue with white.

techniques

  • ·alla prima
  • ·broken color
  • ·scumbling
  • ·blending
  • ·portraiture

common pitfalls

  • →Overworking the details and losing the freshness of the brushstrokes.
  • →Using too much paint and creating a muddy effect.
  • →Failing to capture the correct proportions and likeness.
  • →Ignoring the subtle variations in color and value.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·alizarin crimson oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-grain canvas for best results. Consider toning the canvas with a thin wash of burnt umber before starting.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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