apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of a Young Boy
Portrait of a Young Boy by Edward Burne-Jones

plate no. 4050

Portrait of a Young Boy

Edward Burne-Jones

oilRomanticismportraitfigureportraitchildhairhandsclothing
some experience helpful

Recreating this painting will help students develop skills in subtle color blending, portrait proportions, and creating a sense of depth with limited value range. It also provides practice in rendering soft textures and capturing a likeness.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic proportions of the figure and the placement of the hands.

  2. step 02

    Establish the background color with a thin wash of dark brown.

  3. step 03

    Block in the main shapes of the face, hair, and clothing with mid-tone colors.

  4. step 04

    Begin layering and blending colors to create smooth transitions and subtle variations in skin tone.

  5. step 05

    Add highlights and shadows to define the form of the face and hands.

  6. step 06

    Refine the details of the hair, paying attention to the direction and flow of the strands.

  7. step 07

    Adjust the values and colors throughout the painting to create a sense of depth and atmosphere.

  8. step 08

    Add final details and highlights to complete the portrait.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · yellow ochre · ivory black · alizarin crimson

Achieve skin tones by mixing white, sienna, and small amounts of crimson or ochre. Darken colors with umber or black, and lighten with white. Use thin glazes to build up color depth.

techniques

  • ·blending
  • ·glazing
  • ·scumbling
  • ·portrait proportions
  • ·value control

common pitfalls

  • →Overworking the details and losing the overall softness of the painting.
  • →Using too much contrast, which can make the portrait look harsh.
  • →Failing to capture the likeness of the subject.
  • →Getting the proportions wrong.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·round brushes (various sizes)
  • ·palette
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. A smooth canvas surface will make blending easier.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke