
plate no. 3350
Tintoretto, 1570
Recreating this painting will help students develop skills in portraiture, particularly in rendering realistic skin tones and subtle gradations of light and shadow. It also provides practice in depicting fabric and jewelry.
technical profile
approach — 8 steps
Prepare a canvas with a warm, reddish-brown ground.
Sketch the basic proportions and pose of the figure, paying attention to anatomical accuracy.
Block in the main areas of light and shadow using a limited palette of earth tones and white.
Begin layering and blending colors to create smooth transitions in the skin tones.
Carefully render the details of the face, focusing on the eyes, nose, and mouth.
Paint the drapery, paying attention to the folds and highlights.
Add the details of the pearls and other jewelry.
Refine the overall composition and adjust values as needed.
color palette
primary · burnt umber · raw sienna · titanium white · ivory black
secondary · alizarin crimson · yellow ochre · ultramarine blue
Achieve skin tones by mixing white with small amounts of burnt umber, raw sienna, and alizarin crimson. Use ultramarine blue to cool down shadows. Create the drapery color by mixing burnt umber and ivory black.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. A pre-toned canvas will save time.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Apollo and the Muses (Parnassus)
Lavinia Fontana

Portrait Of Don Rodrigo Vasquez
El Greco

Madonna Bolognini
Correggio

The Unhappy Lot of the Rich
Maerten van Heemskerck

Head of a Woman
Orazio Gentileschi

The Deposition
Giorgio Vasari

Portrait of a Man Holding a Letter
Francesco de' Rossi (Francesco Salviati), "Cecchino"

Portrait of the Physician Carlo Fontana
Bartolomeo Passerotti