apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of a Woman in white
Portrait of a Woman in white by Edmund Charles Tarbell

plate no. 4748

Portrait of a Woman in white

Edmund Charles Tarbell, 1890

oil, canvasImpressionismportraitfigurewomandresslandscapetreesportrait
some experience helpful

Recreating this painting will help students develop skills in capturing light and shadow on fabric and creating soft, impressionistic backgrounds. It also provides practice in portraiture and figure drawing within a landscape setting.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure and background.

  2. step 02

    Establish the overall color scheme with thin washes of color.

  3. step 03

    Block in the main areas of light and shadow on the dress.

  4. step 04

    Develop the background with loose, impressionistic brushstrokes.

  5. step 05

    Refine the details of the face and hands.

  6. step 06

    Add highlights and shadows to create depth and dimension.

  7. step 07

    Adjust the overall color balance and contrast.

  8. step 08

    Add final details and refine edges.

color palette

primary · titanium white · ultramarine blue · yellow ochre

secondary · burnt umber · alizarin crimson · sap green

Mix white with small amounts of blue and yellow ochre to create the subtle variations in the white dress. Use burnt umber and ultramarine blue for the darker areas of the background.

techniques

  • ·broken color
  • ·scumbling
  • ·wet-on-wet blending
  • ·glazing
  • ·impasto

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Creating a flat, lifeless dress by not capturing the subtle variations in light and shadow.
  • →Making the background too busy and distracting from the figure.
  • →Incorrect proportions of the figure.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·alizarin crimson oil paint
  • ·round brushes
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-grain canvas to allow for texture. Consider using a toned canvas to establish a base color.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann