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home·artworks·Portrait of a Woman in Blue
Portrait of a Woman in Blue by Albert Lynch

plate no. 7237

Portrait of a Woman in Blue

Albert Lynch, 1912

oilArt Nouveau (Modern)portraitportraitwomandressflowerhairshawl
some experience helpful

Recreating this painting will develop skills in portraiture, including capturing likeness and rendering skin tones, as well as practicing soft blending techniques to create a dreamy, ethereal effect. Students will also learn to depict fabric and subtle light variations.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the woman's head, shoulders, and dress.

  2. step 02

    Establish the background color with a thin, even wash.

  3. step 03

    Block in the main areas of color: skin tones, hair, dress, and flower.

  4. step 04

    Begin layering and blending colors to create smooth transitions in the skin and fabric.

  5. step 05

    Add subtle highlights and shadows to define the forms and create depth.

  6. step 06

    Refine the details of the face, paying attention to the eyes, nose, and mouth.

  7. step 07

    Add the details of the dress, flower, and shawl, including the delicate fabric folds and textures.

  8. step 08

    Make final adjustments to the colors, values, and details to achieve a harmonious and realistic portrait.

color palette

primary · titanium white · cerulean blue · raw umber · cadmium red light

secondary · yellow ochre · ivory black · alizarin crimson · sap green

Mix skin tones using white, yellow ochre, and a touch of red. Achieve the blue of the dress by mixing cerulean blue with white and a hint of green. Create the background with raw umber and white, adjusting the value with small amounts of black or yellow.

techniques

  • ·soft blending
  • ·layering
  • ·glazing
  • ·color mixing
  • ·portraiture

common pitfalls

  • →Overworking the details too early in the process.
  • →Using too much paint and creating a muddy effect.
  • →Failing to capture the correct proportions and likeness.
  • →Not blending colors smoothly enough.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·set of oil paints
  • ·selection of soft brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·soft cloths

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A smooth canvas surface will aid in blending.

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