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home·artworks·Portrait of a woman
Portrait of a woman by Gerolamo Induno

plate no. 3188

Portrait of a woman

Gerolamo Induno

oil, canvasRomanticismportraitportraitwomanchairdresslacefurniture
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle value gradations to create form. It also provides practice in rendering textures such as fabric and lace.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the proportions of the figure and the placement of the chair and furniture.

  2. step 02

    Establish the background with a thin wash of dark color, paying attention to the subtle variations in tone.

  3. step 03

    Block in the main shapes of the figure, chair, and dress using simplified values.

  4. step 04

    Begin refining the facial features, focusing on accurate placement and subtle value changes to create form.

  5. step 05

    Develop the details of the dress and chair, paying attention to the folds and textures.

  6. step 06

    Add the lace details, using thin layers of paint and fine brushes.

  7. step 07

    Refine the lighting and shadows throughout the painting, creating a sense of depth and volume.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · ivory black · ultramarine blue · raw umber

secondary · titanium white · yellow ochre · alizarin crimson

Mix various shades of gray and brown by combining ivory black, raw umber, and titanium white. Use small amounts of ultramarine blue to create the blue chair. Add alizarin crimson and yellow ochre to create skin tones.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·rendering fabric

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth and volume.
  • →Making the skin tones look flat or unnatural.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·ultramarine blue oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 0, 2, 4)
  • ·flat brushes (sizes 4, 6, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·retouch varnish
  • ·medium

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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