
plate no. 6066
Alexander Clarot, 1838
Recreating this painting will help students develop skills in portraiture, including rendering skin tones, fabric folds, and animal fur, as well as understanding subtle value shifts to create form.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on proportions and placement of the figure and dog.
Establish the background with a dark, muted green.
Block in the main shapes of the woman's face, hair, and dress with thin washes of color.
Begin layering skin tones, paying attention to highlights and shadows.
Develop the details of the dress, including the folds and highlights of the fabric.
Paint the dog, focusing on capturing its fur texture and expression.
Add details such as the jewelry and the table.
Refine the painting, adjusting values and adding final touches.
color palette
primary · titanium white · ivory black · cadmium red light · ultramarine blue
secondary · yellow ochre · burnt umber · raw sienna · alizarin crimson
Skin tones are achieved by mixing white, red, yellow ochre, and a touch of blue or umber for shadows. The blue dress is created by mixing white and ultramarine blue, with subtle variations achieved by adding small amounts of other colors.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. Consider using a pre-toned canvas to simplify the initial stages of the painting.
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