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home·artworks·Portrait of a wife (Two portraits of husband and wife)
Portrait of a wife (Two portraits of husband and wife) by Alexander Clarot

plate no. 6066

Portrait of a wife (Two portraits of husband and wife)

Alexander Clarot, 1838

oil, canvasRomanticismportraitportraitwomandogdressjewelrytable
experienced study

Recreating this painting will help students develop skills in portraiture, including rendering skin tones, fabric folds, and animal fur, as well as understanding subtle value shifts to create form.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure and dog.

  2. step 02

    Establish the background with a dark, muted green.

  3. step 03

    Block in the main shapes of the woman's face, hair, and dress with thin washes of color.

  4. step 04

    Begin layering skin tones, paying attention to highlights and shadows.

  5. step 05

    Develop the details of the dress, including the folds and highlights of the fabric.

  6. step 06

    Paint the dog, focusing on capturing its fur texture and expression.

  7. step 07

    Add details such as the jewelry and the table.

  8. step 08

    Refine the painting, adjusting values and adding final touches.

color palette

primary · titanium white · ivory black · cadmium red light · ultramarine blue

secondary · yellow ochre · burnt umber · raw sienna · alizarin crimson

Skin tones are achieved by mixing white, red, yellow ochre, and a touch of blue or umber for shadows. The blue dress is created by mixing white and ultramarine blue, with subtle variations achieved by adding small amounts of other colors.

techniques

  • ·portraiture
  • ·blending
  • ·glazing
  • ·scumbling
  • ·rendering fur

common pitfalls

  • →Incorrect proportions of the figure or dog
  • →Overly harsh or muddy skin tones
  • →Loss of detail in the shadows
  • →Inaccurate representation of fabric folds
  • →Failing to capture the dog's expression

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (titanium white, ivory black, cadmium red light, ultramarine blue, yellow ochre, burnt umber, raw sienna, alizarin crimson)
  • ·assorted round and flat brushes
  • ·palette
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·mahl stick

Use high-quality oil paints for best results. Consider using a pre-toned canvas to simplify the initial stages of the painting.

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