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home·artworks·Portrait of a Venetian woman
Portrait of a Venetian woman by Francesco Hayez

plate no. 8716

Portrait of a Venetian woman

Francesco Hayez, 1852

oil, canvasRomanticismportraitfigureportraitdresstablejewelrybackground
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as understanding subtle value shifts to create form and depth.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure and table.

  2. step 02

    Establish the background with a thin wash of browns and grays, creating a sense of depth.

  3. step 03

    Block in the main shapes of the figure, paying attention to the overall form and pose.

  4. step 04

    Begin refining the skin tones, using a limited palette of whites, reds, yellows, and browns.

  5. step 05

    Develop the details of the dress, using darker values to create folds and shadows.

  6. step 06

    Add the jewelry and other accessories, paying attention to their texture and reflectivity.

  7. step 07

    Refine the facial features, focusing on capturing the likeness and expression of the subject.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · titanium white · ivory black · burnt umber · yellow ochre

secondary · cadmium red light · raw sienna

Mix skin tones by blending white, yellow ochre, cadmium red, and a touch of burnt umber. Achieve the dark tones of the dress by mixing black and burnt umber, adding small amounts of blue or red to adjust the hue.

techniques

  • ·portraiture
  • ·glazing
  • ·value studies
  • ·blending
  • ·rendering

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the skin tones and losing the freshness of the paint.
  • →Making the darks too flat and lacking depth.
  • →Failing to capture the likeness of the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·cadmium red light oil paint
  • ·#4 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·medium gloss

Use high-quality oil paints for best results. A smooth canvas surface will allow for easier blending.

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