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home·artworks·Portrait of a Seated Woman
Portrait of a Seated Woman by William Shiels

plate no. 9607

Portrait of a Seated Woman

William Shiels

oilRomanticismportraitportraitwomandresscurtainwindowchair
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions, subtle value changes for form, and rendering fabric textures. It also provides practice in creating a sense of depth through atmospheric perspective in the background.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, focusing on the proportions of the figure and the placement of key elements.

  2. step 02

    Establish the background with broad, blended strokes, creating a sense of depth and atmosphere.

  3. step 03

    Block in the main shapes of the figure, paying attention to the overall value structure.

  4. step 04

    Begin refining the facial features, focusing on accurate placement and subtle value changes.

  5. step 05

    Develop the details of the dress and fabric, using layering and blending to create realistic textures.

  6. step 06

    Add the red shawl, paying attention to how the light interacts with the folds.

  7. step 07

    Refine the details of the chair and window, adding subtle highlights and shadows.

  8. step 08

    Make final adjustments to the overall composition, ensuring a harmonious balance of light and shadow.

color palette

primary · ivory black · titanium white · raw umber · cadmium red

secondary · sap green · yellow ochre

Mix various shades of gray by combining ivory black and titanium white. Add small amounts of raw umber or yellow ochre to warm the grays. Use cadmium red mixed with a touch of raw umber for the shawl.

techniques

  • ·portraiture
  • ·blending
  • ·glazing
  • ·scumbling
  • ·atmospheric perspective

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the details too early in the process.
  • →Creating harsh lines and edges instead of smooth transitions.
  • →Failing to create a sense of depth in the background.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Oil paints (ivory black, titanium white, raw umber, cadmium red, sap green, yellow ochre)
  • ·Assorted brushes (round, flat, filbert)
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A medium-tooth canvas will provide a good surface for blending and layering.

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