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home·artworks·Portrait of A. P. Lanskoy
Portrait of A. P. Lanskoy by Alexander Orlowski

plate no. 4783

Portrait of A. P. Lanskoy

Alexander Orlowski, 1813

oilRomanticismportraitportraitfiguremanclothinghairmilitary uniform
some experience helpful

Recreating this portrait will help students develop skills in capturing likeness, understanding tonal values, and using hatching techniques to create form and texture. It also provides practice in rendering clothing and facial features.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the overall composition, focusing on proportions and placement of the figure.

  2. step 02

    Block in the main shapes of the face, hair, and clothing with light washes of color.

  3. step 03

    Begin adding darker values to define the shadows and contours of the face and clothing.

  4. step 04

    Use hatching and cross-hatching techniques to build up the tonal values and create texture.

  5. step 05

    Pay close attention to the details of the facial features, such as the eyes, nose, and mouth.

  6. step 06

    Refine the details of the clothing and military uniform, adding highlights and shadows to create depth.

  7. step 07

    Add the background hatching, keeping it simple and consistent.

  8. step 08

    Make final adjustments to the values and details to achieve a balanced and realistic portrait.

color palette

primary · raw umber · burnt sienna · ivory black · titanium white

secondary · yellow ochre · alizarin crimson

Mix raw umber and ivory black for the dark tones in the clothing and background. Use burnt sienna and yellow ochre for the skin tones, adding small amounts of alizarin crimson for warmth. Titanium white is used for highlights and mixing lighter skin tones.

techniques

  • ·hatching
  • ·cross-hatching
  • ·tonal layering
  • ·dry brushing
  • ·portraiture

common pitfalls

  • →Overworking the details and losing the overall sense of form.
  • →Failing to establish a strong value structure.
  • →Using too much color and creating a muddy effect.
  • →Not paying close enough attention to the proportions of the face.

materials

surface · drawing paper

required

  • ·sketchbook or drawing paper
  • ·graphite pencils (HB, 2B, 4B)
  • ·eraser
  • ·watercolor pencils or colored pencils
  • ·blending stump or tortillon
  • ·soft brushes
  • ·palette for mixing

optional

  • ·kneaded eraser
  • ·ruler
  • ·watercolor paper

Use a smooth drawing paper for best results with colored pencils. Watercolor pencils can be used with a wet brush to create a wash effect.

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oil painting for beginners →how to learn by studying the masters →
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