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home·artworks·Portrait of A. P. Bakunin
Portrait of A. P. Bakunin by Orest Kiprensky

plate no. 6058

Portrait of A. P. Bakunin

Orest Kiprensky, 1813

pastel, pencil, paperRomanticismportraitportraitfigurechairclothinghair
some experience helpful

Recreating this portrait will help students develop skills in rendering realistic skin tones and capturing likeness through careful observation of proportions and values. It also provides practice in creating subtle textures with pastel and pencil.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the overall composition, paying attention to proportions and placement of the figure and chair.

  2. step 02

    Block in the main shapes and values of the face, hair, and clothing with light pencil strokes.

  3. step 03

    Begin layering pastel colors to build up the skin tones, starting with lighter shades and gradually adding darker values.

  4. step 04

    Focus on capturing the subtle variations in color and value in the face to create a realistic and expressive portrait.

  5. step 05

    Add details to the hair, clothing, and chair, using a combination of pencil and pastel to create texture and depth.

  6. step 06

    Refine the edges and contours of the figure and chair to create a sense of form and volume.

  7. step 07

    Add final highlights and shadows to enhance the overall contrast and create a sense of realism.

  8. step 08

    Blend and soften the pastel colors to create a smooth and seamless finish.

color palette

primary · ivory black · burnt sienna · raw umber · titanium white

secondary · cadmium red light · cerulean blue

Mix burnt sienna and white for the base skin tone, adding small amounts of red for warmth and umber for shadows. Use cerulean blue and white for the chair.

techniques

  • ·hatching
  • ·cross-hatching
  • ·blending
  • ·layering
  • ·value studies

common pitfalls

  • →Overworking the pastel and creating a muddy effect.
  • →Failing to capture the correct proportions of the face and body.
  • →Ignoring the subtle variations in color and value in the skin tones.
  • →Creating harsh lines and edges that detract from the overall realism.

materials

surface · Pastel paper (toned)

required

  • ·Pastel pencils (various skin tones, black, white, red, blue)
  • ·Graphite pencils (HB, 2B, 4B)
  • ·Kneaded eraser
  • ·Blending stumps
  • ·Pastel paper (toned)
  • ·Fixative spray

optional

  • ·Chamois cloth
  • ·Sandpaper block
  • ·Palette knife

Use a fixative spray sparingly to avoid darkening the pastel colors. Work in a well-ventilated area when using fixative.

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