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home·artworks·Portrait of A. O. Smirnova
Portrait of A. O. Smirnova by Orest Kiprensky

plate no. 7435

Portrait of A. O. Smirnova

Orest Kiprensky, 1830

oil, canvasRomanticismportraitportraitfigureclothinghatjewelryhair
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions, subtle skin tone variations, and rendering of fabric textures. It also provides practice in creating a sense of depth and atmosphere through value control.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, paying attention to the head and shoulder placement.

  2. step 02

    Establish the overall value structure by blocking in the dark background and the general tones of the figure.

  3. step 03

    Begin refining the skin tones, using thin layers of paint and subtle blending to create smooth transitions.

  4. step 04

    Develop the details of the clothing, including the patterns and folds of the fabric.

  5. step 05

    Paint the hat and hair, paying attention to the highlights and shadows that define their form.

  6. step 06

    Add the jewelry and other accessories, focusing on their reflective qualities.

  7. step 07

    Refine the overall composition, adjusting values and adding details as needed.

  8. step 08

    Apply a final glaze to unify the painting and enhance the colors.

color palette

primary · titanium white · burnt umber · cadmium red · ivory black

secondary · ultramarine blue · yellow ochre · alizarin crimson

Achieve skin tones by mixing white, red, yellow ochre, and a touch of umber. Use ultramarine blue and white for the hat, and mix red and black for the darker areas of the clothing.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·value control
  • ·rendering fabric

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Over-blending the skin tones, resulting in a flat appearance.
  • →Failing to create a sense of depth and atmosphere.
  • →Ignoring the subtle variations in color and value.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (titanium white, burnt umber, cadmium red, ivory black, ultramarine blue, yellow ochre, alizarin crimson)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

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oil painting for beginners →how to learn by studying the masters →
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