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home·artworks·Portrait of A. N. Lvov
Portrait of A. N. Lvov by Karl Bryullov

plate no. 0212

Portrait of A. N. Lvov

Karl Bryullov, 1824

oil, canvasRomanticismportraitportraitmanclothingfacehaircollar
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones, as well as understanding light and shadow to create form.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch of the overall composition, focusing on proportions and placement of the figure.

  2. step 02

    Establish the basic values by blocking in the dark background and the main areas of light and shadow on the face and clothing.

  3. step 03

    Start building up the skin tones using thin layers of paint, gradually adding highlights and shadows.

  4. step 04

    Pay close attention to the subtle color variations in the face, especially around the eyes, nose, and mouth.

  5. step 05

    Refine the details of the hair, clothing, and collar, using smaller brushes to create texture and definition.

  6. step 06

    Soften edges and blend transitions between values to create a smooth, realistic effect.

  7. step 07

    Add final highlights and details to bring the portrait to life.

  8. step 08

    Glaze with thin layers of color to unify the painting and enhance the overall effect.

color palette

primary · titanium white · ivory black · burnt umber · cadmium red light

secondary · yellow ochre · ultramarine blue

Mix skin tones by blending white, red, yellow ochre, and a touch of umber. Use black and umber for the dark background and clothing, adding small amounts of blue for depth.

techniques

  • ·portraiture
  • ·value study
  • ·blending
  • ·glazing
  • ·layering

common pitfalls

  • →Overworking the details too early in the process.
  • →Using too much paint and creating a muddy effect.
  • →Failing to capture the likeness of the subject.
  • →Ignoring the subtle color variations in the skin tones.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·assorted brushes (round and flat)
  • ·soft cloths

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A medium-sized canvas (16x20 or 18x24) is recommended.

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oil painting for beginners →how to learn by studying the masters →
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