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home·artworks·Portrait of a Musician
Portrait of a Musician by Jacopo Pontormo

plate no. 4604

Portrait of a Musician

Jacopo Pontormo, 1519

oil, woodMannerism (Late Renaissance)portraitportraitfiguremanbookmusichat
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as understanding subtle value changes to create form.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the proportions of the figure and the placement of the books.

  2. step 02

    Establish the background with a thin layer of dark brown, allowing some texture to show through.

  3. step 03

    Block in the main shapes of the figure's clothing and hat with dark, muted tones.

  4. step 04

    Begin building up the skin tones using layers of thin, transparent glazes.

  5. step 05

    Carefully define the facial features, paying close attention to the subtle shifts in value.

  6. step 06

    Add the details of the books and sheet music, simplifying the musical notation.

  7. step 07

    Refine the overall composition, adjusting values and adding highlights to create depth.

  8. step 08

    Add final details and glazes to unify the painting.

color palette

primary · burnt umber · raw umber · titanium white · yellow ochre

secondary · cadmium red light · ivory black

Achieve the skin tones by mixing white, yellow ochre, and a touch of red. Use burnt umber and ivory black to create the dark tones for the clothing and background. Add small amounts of red to the browns to create warmth.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·underpainting

common pitfalls

  • →Overworking the skin tones and creating a muddy effect.
  • →Failing to capture the subtle nuances of the facial expression.
  • →Getting lost in the details of the sheet music.
  • →Ignoring the importance of the background texture.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·round brushes (various sizes)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Consider using a toned canvas to create a warmer underpainting.

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