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home·artworks·Portrait of a Monkey
Portrait of a Monkey by George Stubbs

plate no. 2762

Portrait of a Monkey

George Stubbs, 1774

oil, canvasRomanticismanimal paintingmonkeytreefruitfoliageanimaloranges
some experience helpful

Recreating this painting will help students develop skills in rendering fur texture and creating depth through subtle value changes. It also provides practice in depicting organic forms and natural lighting.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the monkey, tree, and oranges, paying attention to proportions and placement.

  2. step 02

    Establish the dark background using a thin wash of dark brown or black.

  3. step 03

    Block in the main areas of light and shadow on the monkey and tree with mid-tone browns and yellows.

  4. step 04

    Begin layering lighter tones on the monkey's fur, using small brushstrokes to create texture.

  5. step 05

    Add details to the tree bark, using a dry brush technique to create texture.

  6. step 06

    Paint the oranges with vibrant orange hues, adding highlights and shadows to create volume.

  7. step 07

    Refine the details of the monkey's face and hands, paying attention to the subtle variations in color and value.

  8. step 08

    Add final highlights and shadows to enhance the overall sense of depth and realism.

color palette

primary · burnt umber · yellow ochre · titanium white

secondary · cadmium orange · viridian green · ivory black

Mix various shades of brown by combining burnt umber, yellow ochre, and a touch of black. Create lighter fur tones by adding titanium white to the brown mixture. Achieve the orange hues by mixing cadmium orange with touches of yellow and red.

techniques

  • ·layering
  • ·dry brushing
  • ·blending
  • ·scumbling
  • ·glazing

common pitfalls

  • →Overblending, resulting in a loss of texture.
  • →Neglecting the subtle value changes that create depth.
  • →Using too much paint, which can obscure the details.
  • →Ignoring the importance of accurate proportions in the initial sketch.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·cadmium orange oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits

Use high-quality oil paints for best results. A smooth canvas surface will make blending easier.

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