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home·artworks·Portrait of a Man with a Book
Portrait of a Man with a Book by Parmigianino

plate no. 6579

Portrait of a Man with a Book

Parmigianino, 1524

oil, canvasMannerism (Late Renaissance)portraitfigureportraitbookclothingcolumnmale
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones. It also provides practice in depicting fabric and textures, as well as understanding chiaroscuro.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure and book.

  2. step 02

    Establish the background with broad, dark tones, leaving space for the figure and column.

  3. step 03

    Block in the main shapes of the figure, including the head, clothing, and hands, using mid-tones.

  4. step 04

    Begin layering in darker values to define shadows and create depth in the clothing and facial features.

  5. step 05

    Add highlights to the face, hands, and book to create a sense of volume and light.

  6. step 06

    Refine the details of the face, paying attention to the eyes, nose, and mouth.

  7. step 07

    Add details to the book, including the pages and binding.

  8. step 08

    Glaze with thin layers of color to unify the painting and enhance the overall tone.

color palette

primary · ivory black · raw umber · burnt umber · titanium white

secondary · yellow ochre · cadmium red light

Mix various shades of brown and gray by combining black, umber, and white. Use yellow ochre and cadmium red to create warm skin tones. Add small amounts of blue to darken shadows.

techniques

  • ·glazing
  • ·chiaroscuro
  • ·portraiture
  • ·underpainting
  • ·scumbling

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Losing the likeness of the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·cadmium red light oil paint
  • ·assorted round and flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the overall color scheme.

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