apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of a Man (Terris)
Portrait of a Man (Terris) by Giorgione

plate no. 6430

Portrait of a Man (Terris)

Giorgione, 1510

oil, panelHigh Renaissanceportraitportraitmanfigurehairclothingface
some experience helpful

Recreating this painting will allow students to practice portraiture techniques, including capturing likeness and rendering skin tones with subtle value changes. It will also help them understand the use of chiaroscuro to create depth and form.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
5

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and hair.

  2. step 02

    Establish the background color with a thin wash of dark green and brown.

  3. step 03

    Block in the main areas of light and shadow on the face, using a limited palette of earth tones.

  4. step 04

    Refine the facial features, paying close attention to the subtle variations in skin tone.

  5. step 05

    Add details to the hair, using small brushstrokes to create texture and volume.

  6. step 06

    Paint the clothing with simple, dark tones, focusing on the folds and shadows.

  7. step 07

    Glaze the painting with thin layers of color to unify the overall tone and create depth.

  8. step 08

    Add final highlights and details to the face and hair.

color palette

primary · raw umber · burnt umber · titanium white

secondary · yellow ochre · cadmium red light

Mix skin tones by combining white, umber, and a touch of red and yellow. Use thin glazes of umber and green to create shadows and depth.

techniques

  • ·portraiture
  • ·chiaroscuro
  • ·glazing
  • ·blending
  • ·scumbling

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to capture the subtle variations in skin tone.
  • →Creating overly harsh or artificial shadows.
  • →Getting the proportions of the face wrong.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·cadmium red light oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits

Use high-quality oil paints for best results. Consider using a toned canvas to create a more unified background.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Adoration of the Kings

The Adoration of the Kings

Giorgione

The Annunciation

The Annunciation

Vittore Carpaccio

Madonna and Child with Saints Liberale and Francis (The Castelfranco Madonna)

Madonna and Child with Saints Liberale and Francis (The Castelfranco Madonna)

Giorgione

St. Helena

St. Helena

Cima da Conegliano

St. Nicholas of Tolentino

St. Nicholas of Tolentino

Pietro Perugino

Portrait of Elizabeth Gonzaga

Portrait of Elizabeth Gonzaga

Raphael

Sibyl

Sibyl

Dosso Dossi

Madonna with Child and Saints

Madonna with Child and Saints

Raphael