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home·artworks·Portrait of a Man Sitting at a Table with An Open Book С1830
Portrait of a Man Sitting at a Table with An Open Book С1830 by William Shiels

plate no. 4575

Portrait of a Man Sitting at a Table with An Open Book С1830

William Shiels

oilRomanticismportraitportraitmanbooktablechairbookshelf
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones. It also provides practice in depicting textures and creating a sense of depth through subtle value changes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure and objects.

  2. step 02

    Establish the background with a thin wash of muted browns and greens.

  3. step 03

    Block in the main shapes of the figure, paying attention to the overall form and pose.

  4. step 04

    Begin refining the facial features, focusing on accurate proportions and subtle value changes to create form.

  5. step 05

    Develop the clothing, using darker values to create shadows and lighter values for highlights.

  6. step 06

    Add details to the book, chair, and bookshelf, paying attention to texture and form.

  7. step 07

    Refine the overall composition, adjusting values and adding highlights to create a sense of depth and realism.

  8. step 08

    Add final details and glazes to enhance the overall effect.

color palette

primary · ivory black · raw umber · titanium white · cadmium red light

secondary · yellow ochre · viridian · burnt sienna

Mix various shades of brown and gray by combining black, umber, and white. Use small amounts of red and yellow to warm up the skin tones. Achieve the dark blacks by mixing ivory black with a touch of burnt umber.

techniques

  • ·portraiture
  • ·glazing
  • ·chiaroscuro
  • ·blending
  • ·scumbling

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the details too early in the process.
  • →Creating muddy colors by overmixing.
  • →Failing to establish a strong value structure.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium alkyd
  • ·varnish

Use high-quality oil paints for best results. Consider using a pre-primed canvas to save time.

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oil painting for beginners →how to learn by studying the masters →
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