apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of a Man (probably Cesare Borgia)
Portrait of a Man (probably Cesare Borgia) by Dosso Dossi

plate no. 6511

Portrait of a Man (probably Cesare Borgia)

Dosso Dossi, 1520

oilHigh Renaissanceportraitportraitmanclothinghatfurhand
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones. It will also provide practice in depicting textures like fur and fabric.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the proportions and composition.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Develop the background with subtle variations in tone.

  4. step 04

    Begin building up the skin tones, paying attention to highlights and shadows.

  5. step 05

    Refine the details of the clothing, including the fur collar and hat.

  6. step 06

    Add the details of the hands and the object they are holding.

  7. step 07

    Glaze and adjust colors to achieve the desired effect.

  8. step 08

    Add final highlights and details.

color palette

primary · ivory black · raw umber · titanium white · yellow ochre

secondary · burnt sienna · cadmium yellow light · ultramarine blue

Skin tones are achieved by mixing white, yellow ochre, and a touch of burnt sienna. Dark areas are created by mixing ivory black and raw umber. Use ultramarine blue to cool down shadow areas.

techniques

  • ·portraiture
  • ·glazing
  • ·chiaroscuro
  • ·blending
  • ·scumbling

common pitfalls

  • →Overworking the skin tones and losing the subtle variations in color.
  • →Failing to accurately capture the proportions of the face.
  • →Creating harsh lines instead of soft transitions.
  • →Not paying enough attention to the value structure.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Consider using a toned canvas to simplify the initial stages.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Adoration of the Kings

The Adoration of the Kings

Giorgione

The Annunciation

The Annunciation

Vittore Carpaccio

Madonna and Child with Saints Liberale and Francis (The Castelfranco Madonna)

Madonna and Child with Saints Liberale and Francis (The Castelfranco Madonna)

Giorgione

St. Helena

St. Helena

Cima da Conegliano

St. Nicholas of Tolentino

St. Nicholas of Tolentino

Pietro Perugino

Portrait of Elizabeth Gonzaga

Portrait of Elizabeth Gonzaga

Raphael

Sibyl

Sibyl

Dosso Dossi

Madonna with Child and Saints

Madonna with Child and Saints

Raphael