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home·artworks·Portrait of a Man Playing a Lute
Portrait of a Man Playing a Lute by Bartolomeo Passerotti

plate no. 9977

Portrait of a Man Playing a Lute

Bartolomeo Passerotti, 1576

canvas, oilMannerism (Late Renaissance)portraitportraitmanlutemusical instrumentruffclothing
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions and rendering of skin tones, as well as practice in depicting complex textures like fabric and musical instruments.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, lute, and other elements.

  2. step 02

    Establish the overall value structure with a thin underpainting using burnt umber or a similar earth tone.

  3. step 03

    Begin layering in the local colors, starting with the background and moving to the larger shapes of the figure and lute.

  4. step 04

    Develop the skin tones using a limited palette of white, yellow ochre, burnt sienna, and a touch of red.

  5. step 05

    Carefully render the details of the clothing, paying attention to the folds and highlights.

  6. step 06

    Focus on the details of the lute, including the strings, tuning pegs, and wood grain.

  7. step 07

    Add the ruff, using highlights and shadows to create the illusion of depth and texture.

  8. step 08

    Refine the details and adjust the values to create a cohesive and realistic image.

color palette

primary · burnt umber · yellow ochre · titanium white · ivory black

secondary · cadmium red light · raw sienna · ultramarine blue

Mix skin tones using white, yellow ochre, burnt sienna, and a touch of red. Achieve the dark tones by mixing burnt umber and ivory black. Use ultramarine blue to cool down shadows.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·rendering textures

common pitfalls

  • →Incorrect proportions of the figure or lute.
  • →Overmixing colors, resulting in muddy tones.
  • →Failing to establish a strong value structure.
  • →Neglecting the details of the clothing and lute.
  • →Oversimplifying the skin tones.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·cadmium red light oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·turpentine

Use high-quality oil paints for best results. Consider using a pre-primed canvas to save time.

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oil painting for beginners →how to learn by studying the masters →
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