
plate no. 5536
Raphael, 1500
Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle skin tone blending. It also offers practice in rendering realistic textures, such as fur and fabric.
technical profile
approach — 8 steps
Sketch the basic shapes and proportions of the figure, paying attention to the head, shoulders, and hands.
Block in the main areas of color: skin tones, clothing, background.
Begin refining the skin tones, using subtle gradations of color to create form.
Add details to the face, such as the eyes, nose, and mouth, focusing on accurate placement and shape.
Paint the clothing, paying attention to the folds and shadows.
Render the fur collar, using short, broken brushstrokes to create texture.
Add the apple and refine the hands.
Complete the background with soft, blended tones.
color palette
primary · red · brown · ivory · grey
secondary · gold · ochre
Skin tones are achieved by mixing ivory, ochre, and small amounts of red and brown. The red clothing is varied by adding brown and black for shadows, and white for highlights. The fur is a mix of browns, ochres, and blacks.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. Consider using a toned canvas to make the painting process easier.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

The Adoration of the Kings
Giorgione

The Annunciation
Vittore Carpaccio

Madonna and Child with Saints Liberale and Francis (The Castelfranco Madonna)
Giorgione

St. Helena
Cima da Conegliano

St. Nicholas of Tolentino
Pietro Perugino

Portrait of Elizabeth Gonzaga
Raphael

Sibyl
Dosso Dossi

Madonna with Child and Saints
Raphael