
plate no. 2004
Recreating this painting will help students develop skills in portraiture, including accurate proportions, capturing likeness, and rendering skin tones. It also provides practice in creating soft transitions and blending colors to achieve a realistic effect.
technical profile
approach — 8 steps
Lightly sketch the basic shapes and proportions of the head, shoulders, and collar.
Establish the main light and shadow areas on the face and clothing using a thin wash of burnt umber or a similar neutral color.
Begin building up the skin tones by layering thin glazes of color, focusing on the subtle variations in hue and value.
Paint the hair, paying attention to the direction of the strands and the highlights and shadows.
Define the features of the face, such as the eyes, nose, and mouth, with careful attention to detail.
Refine the clothing and background, adding details and adjusting the values as needed.
Add final highlights and shadows to enhance the form and create a sense of depth.
Let dry and add a thin glaze to unify the painting.
color palette
primary · titanium white · burnt umber · raw sienna
secondary · ultramarine blue · cadmium red light · yellow ochre
Mix skin tones by combining white, raw sienna, and small amounts of red, yellow, and blue. Use burnt umber and blue for shadows in the clothing and background.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. A medium-grain canvas is recommended.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Romantic Landscape
Karl Lessing

Self-portrait with his brother Francesco
Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie
Léon Cogniet

Duke of Alba
Francisco Goya

Blick Aus Dem Wald Ins Tal
Andreas Achenbach

Young Girl Fixing Her Hair
Sophie Gengembre Anderson

The Plough Inn
William Shayer

Hudson River Landscape
Johann Hermann Carmiencke