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home·artworks·Portrait of a Man
Portrait of a Man by Andrea del Sarto

plate no. 2952

Portrait of a Man

Andrea del Sarto

oilHigh Renaissanceportraitportraitmanclothingbookbeardhat
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and capturing likeness, as well as understanding subtle color variations in skin tones and fabric folds. It also provides practice in creating a sense of depth and form through careful value gradations.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and hands.

  2. step 02

    Establish the background color with a thin wash of green.

  3. step 03

    Block in the main areas of color for the skin, clothing, and book, paying attention to the overall value structure.

  4. step 04

    Begin to refine the facial features, focusing on the eyes, nose, and mouth, and capturing the likeness of the subject.

  5. step 05

    Develop the details of the clothing, paying attention to the folds and shadows.

  6. step 06

    Add details to the beard, creating texture and depth with short, broken brushstrokes.

  7. step 07

    Refine the book, adding details to the cover and spine.

  8. step 08

    Add final highlights and shadows to create a sense of depth and realism.

color palette

primary · yellow ochre · raw umber · ivory black · titanium white

secondary · viridian green · cadmium red · ultramarine blue

Achieve skin tones by mixing yellow ochre, raw umber, and titanium white, with small amounts of cadmium red for warmth. The green background can be achieved by mixing viridian green with yellow ochre and a touch of black.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·blending

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the details too early in the process.
  • →Failing to capture the likeness of the subject.
  • →Creating muddy or dull colors by overmixing.

materials

surface · stretched canvas

required

  • ·Stretched canvas 16x20
  • ·Oil paints (yellow ochre, raw umber, ivory black, titanium white, viridian green, cadmium red, ultramarine blue)
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·Medium gloss
  • ·Retouch varnish
  • ·Easel

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for layering paint.

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