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home·artworks·Portrait of a lady with a fan
Portrait of a lady with a fan by Franz Xaver Winterhalter

plate no. 8696

Portrait of a lady with a fan

Franz Xaver Winterhalter, 1850

oil, canvasRomanticismportraitportraitwomandressfanjewelrylace
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in rendering skin tones and fabric textures, as well as understanding light and shadow to create form.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch of the oval composition and the figure's pose.

  2. step 02

    Block in the main shapes and values, focusing on the overall composition.

  3. step 03

    Establish the background with broad strokes, creating a sense of depth.

  4. step 04

    Begin refining the skin tones, paying attention to subtle color variations.

  5. step 05

    Develop the details of the dress, capturing the folds and textures.

  6. step 06

    Paint the fan, focusing on the intricate details and colors.

  7. step 07

    Add the jewelry and other accessories, paying attention to highlights and shadows.

  8. step 08

    Refine the overall painting, adjusting values and details as needed.

color palette

primary · ivory black · raw umber · titanium white · cadmium red

secondary · yellow ochre · ultramarine blue · burnt sienna

Mix ivory black and raw umber for the dress, adding small amounts of ultramarine blue to deepen the shadows. Use titanium white, cadmium red, and yellow ochre for skin tones, adjusting the proportions to create variations.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·fabric rendering

common pitfalls

  • →Overworking the skin tones, resulting in a flat or lifeless appearance.
  • →Failing to capture the subtle variations in value and color in the dress.
  • →Losing the overall composition by focusing too much on individual details.
  • →Inaccurate proportions in the initial sketch.

materials

surface · stretched oval canvas

required

  • ·Stretched oval canvas
  • ·Oil paints (ivory black, raw umber, titanium white, cadmium red, yellow ochre, ultramarine blue, burnt sienna)
  • ·Assorted brushes (round, flat, filbert)
  • ·Palette
  • ·Palette knife
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Rags

optional

  • ·Medium gloss
  • ·Retouch varnish
  • ·Easel

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for layering paint.

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oil painting for beginners →how to learn by studying the masters →
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