apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of a Lady with a Dog
Portrait of a Lady with a Dog by Bartolomeo Passerotti

plate no. 6566

Portrait of a Lady with a Dog

Bartolomeo Passerotti, 1569

canvas, oilMannerism (Late Renaissance)portraitportraitdogfiguredresstablebackground
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering fabric textures. It also provides practice in depicting animal fur and creating a sense of depth through subtle value changes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure, dog, and table.

  2. step 02

    Establish the background color and general value ranges.

  3. step 03

    Block in the main shapes of the figure's dress and the dog's body, using simplified color mixtures.

  4. step 04

    Begin refining the facial features, paying close attention to light and shadow to create form.

  5. step 05

    Develop the details of the dress, including folds, highlights, and shadows.

  6. step 06

    Add details to the dog's fur, using short, broken brushstrokes to create texture.

  7. step 07

    Refine the table and its draped cloth, adding highlights and shadows to create depth.

  8. step 08

    Add final details, such as jewelry, tassels, and the dog's eyes.

color palette

primary · ivory black · raw umber · titanium white · cadmium red light

secondary · yellow ochre · viridian · burnt sienna

Mix various shades of gray and brown by combining ivory black, raw umber, and titanium white. Use cadmium red light and titanium white for the skin tones, and add yellow ochre for warmth. Create the green for the table cloth by mixing viridian with yellow ochre and white.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·fur rendering

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the details too early in the process.
  • →Creating muddy colors by overmixing.
  • →Failing to capture the subtle value changes that create form.

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Ivory black oil paint
  • ·Raw umber oil paint
  • ·Titanium white oil paint
  • ·Cadmium red light oil paint
  • ·Yellow ochre oil paint
  • ·Round brushes (sizes 2, 4, 6)
  • ·Flat brushes (sizes 4, 8)

optional

  • ·Palette knife
  • ·Linseed oil
  • ·Retouch varnish

Use high-quality oil paints for best results. Consider using a medium like linseed oil to improve the flow of the paint.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Apollo and the Muses (Parnassus)

Apollo and the Muses (Parnassus)

Lavinia Fontana

Portrait Of Don Rodrigo Vasquez

Portrait Of Don Rodrigo Vasquez

El Greco

Madonna Bolognini

Madonna Bolognini

Correggio

The Unhappy Lot of the Rich

The Unhappy Lot of the Rich

Maerten van Heemskerck

Head of a Woman

Head of a Woman

Orazio Gentileschi

The Deposition

The Deposition

Giorgio Vasari

Portrait of a Man Holding a Letter

Portrait of a Man Holding a Letter

Francesco de' Rossi (Francesco Salviati), "Cecchino"

Portrait of the Physician Carlo Fontana

Portrait of the Physician Carlo Fontana

Bartolomeo Passerotti